Flaming Pablum

Szkodzinski’s Bands of the Night

In doing a little research for that last piece about Irving Plaza, I stumbled upon this genuinely amazing website by photographer Joseph Szkodzinkski (that’s a tough one to spell, lemme tell ya).

Drawn to his site because of the truly amazing portrait of Doyle, Glen and Jerry from the Misfits at Irving Plaza (above) that came up in a Google Image search, I ended up spending vast amounts of time perusing Mr. Szkod’s archive of pictures from a host of old NYC venues of bands like the Stimulators, 999, Bauhaus, the Shirts, The Clash, the Heartbreakers, Dead Kennedys, Tuxedomoon, DNA and droves more.

If you’re as besotted with this era of NYC music and nightlife as I, you’ll love it. Check it out HERE!

The Plight of the `Plaza

Arguably more than any other venue in NYC, Irving Plaza has played host to more of my favorite bands than I can count. Back in 2007, when news broke that they were changing the name of the venue to “The Filmore New York at Irving Plaza” (which, of course, they wisely demurred from a year or so later), I tallied a list of bands I’d seen there.

They included: The Ramones, Suicidal Tendencies, Devo, Buzzcocks, Nick Cave & the Bad Seeds, Gang of Four, Echo & The Bunnymen, Foetus, Cop Shoot Cop, Firewater, Skeleton Key, Man or Astroman, The Cult, Robyn Hitchcock, Love & Rockets, The Dandy Warhols, The Circle Jerks, James, Tom Petty & the Heartbreakers, B.B. King, Mission of Burma, The Wedding Present, The Wonder Stuff, Ned’s Atomic Dustbin, The Mission, Fishbone, Curve, The Fixx, Kula Shaker, The Lo-Fidelity All-Stars, Mansun, Nashville Pussy, Lush, Gus Gus, Cornershop, The Candy Snatchers, Emergency Broadcast Network, DJ Spooky, the Lunachicks and – YES, DO INDEED PLEASE WAIT FOR IT – Killing Joke.

In all candor, despite this august line-up of bands and its convenient proximity to my home, I still wouldn’t count Irving Plaza as my favorite New York venue. That title probably goes to the late, lamented Ritz, the Bowery Ballroom or the long-defunct and since-razed Marquee on West 21st Street.

BE THAT AS IT MAY ….

When word came down today, via Brooklyn Vegan, that Irving Plaza is slated to close for eight months for “renovations,” I shuddered.

Such things have closed for similar reasons before …. to never re-open.

Doesn’t Manhattan suck enough now already?

Gettin' 'Fanky' in The Streets

Yesterday afternoon, apropos of nothing in particular, I posted a video on Facebook by this great New Zealand band called The Clean, that being “Dunes” from 1989. Beyond it just being a great tune, I harbor an affinity for this video -– as richly detailed in this post from 2013 -– because it is rife with Super 8 footage of the band exploring the New York City of the summer of 1989, and visiting various favorite locales like the old Knitting Factory on East Houston Street, CBGB on Bowery, Maxwell’s in Hoboken, etc. To my mind, it just captures a time and a place perfectly.

Presumably inspired by same, my friend Frank R. then sent me a curious clip from the very same era by a performer named Charly Garcia. In all honesty, I initially had no concept who this strangely mustachioed Argentine dude was -- although that would change --  but much like the Clean video, this clip for a tune called “Fanky,” --  whatever that means -– finds Mr. Garcia and cohorts hamming it up in the streets of SoHo, Chelsea, Greenwich Village, Washington Square Park, East River Park and around the Brooklyn Heights Promenade, all circa that same turn of the decade, when downtown still felt cool, airy and arty -– and not staid, overcrowded and avaricious like it does today.

The music is sort of slickly overproduced, but still legitimately funky. Some of the video effects are distracting, but the clip still mercifully allows for some nostalgic viewing. Check it out here…

In doing a bit of further research, however, it suddenly struck me that I HAD indeed heard of Charly Garcia before. In about 1983, or so, he put out a record called Clics Moderno or…. wait for it … Modern Clix. The sleeve for same found Mr. Garcia posing in front of some very specific street art. See below…

Keen-eyed NYC street-art fans will probably recognize the shadowy figure behind Garcia as the work of Richard Hambleton (who I discussed back here). That part, while certainly cool, wasn’t what caught my eye, though. No, what struck me is that the “Modern Clix” tag refers -– presumably -– to my friend Fran Powers’ old band. As close as I can figure it, evidently Charly Garcia must have been photographed somewhere on the streets of downtown NYC and liked the picture so much, he decided to slap it on his album and name the record after it --- wittingly or unwittingly, I do not know.

As detailed in this old post, Fran Powers’ Modern Clix played an amalgam of ska/punk/funk/reggae that is worth checking out. You also might recognize Fran from his cameos is films like "After Hours" and "Hannah and Her Sisters," which he and I discussed here. 

Is he aware that Charly Garcia appropriated his tag for the title and image of his earlier record?

I will have to ask. 

Bittersweet Days

I was stuck at home today with a sore throat. I was ostensibly working from home, but still spent an inordinate amount of time watching stupid bullshit on YouTube. As it happened, both Facebook and Instagram were somewhat inaccessible today, which definitely led to me being more productive. 

In any case, during the course of same, I stumbled upon the below clip of the mighty Hoodoo Gurus playing the Ritz in May of 1987 on what would have been the tour for their sorely under appreciated Blow Your Cool album. The Hoodoo Gurus were one of those bands I discovered upon entering college, wherein several crucially informed friends of mine tried to shake me out of some rigid listening habits (i.e. punk, hardcore and histrionic gothic rock), by turning me onto bands like The Feelies, the Modern Lovers, the Velvet Underground, the Smithereens, Guadalcanal Diary, Let's Active, The Dream Syndicate, The Plimsouls and --- yea verily -- the Hoodoo Gurus. 

In any case, I loved the Mars Needs Guitars album that spawned this single, as well as the afore-cited Blow Your Cool. This clip is also fun as it gives you a great feel for what shows at the Ritz were like. I was thinking how crisp and fresh this looked, ... and then I did the math.

When this was filmed ... I was all 19 years old. Talk about bittersweet!

Thirty-two years later, I am 51. The Hoodoo Gurus, I think, are still going, if their very cool official website is to be believed. The Ritz, as laboriously over-documented here, closed, reverted to its original name -- Webster Hall -- and became less of a live music venue and more of just a giant dance club, only to close and fall into dispiriting disrepair.

But as reported earlier this year, it's now back! 

Down Cortlandt Alley ... By Horse

As laboriously extolled in this post from 2016, I’ve always been a huge fan of Cortlandt Alley, that dark, thin canyon stemming south into TriBeCa off Canal Street. I love its slightly forbidding aura, its back history as the narrow strand of pavement that once led to the Mudd Club, a storied venue I was never old enough to attend. I love its periodic bursts of street art, its weathered exteriors and rough-hewn, industrial trappings leftover from bygone eras. In every season, Cortlandt Alley takes on a new vibe. I never find it boring or unpleasant to walk down, even if I’m hopscotching over random dollops of (human?) excrement, dead rats and pigeons flattened the night before by delivery trucks, or evading the suspicious eyes of furtive weed-smokers in its darker recesses.

And I walk down it a lot. After I drop my son off at school in the Gramercy neighborhood, I hop on a downtown 6 train and get off at Canal to walk the rest of the way to my office at the bottom of Manhattan, taking a hard left down Cortlandt Alley on each and every one of those commutes. I’m now so familiar with that particular strip that I practically notice each and every change to its topography on a daily basis.

As was seemingly inevitable, however, there’s been a recent uptick in renovation and refurbishment in the Alley (as I mentioned just last summer). Scaffolding appears and disappears with some regularity, as certain addresses endeavor to spruce themselves up. While a wholesale facelift of the stretch seems unlikely, certain patches of it are very definitely changing. At its southernmost segment between White & Franklin Streets, a pricey-but-seemingly-dormant condo vainly tries to keep up appearances. But the real big activity is happening on the portion between White and Walker Streets. A few months back, a series of light fixtures were installed along its easterly wall, decimating a bit of this byway’s signature gloom. Beyond that, there was clearly something brewing in that building. Sure enough, just last week, some signage went up. Evidently, Cortlandt Alley is now home to a new venture called the Au Cheval Diner.

Here’s how the official website describes it…

An eclectic diner hidden down Cortlandt Alley with a passion for eggs, Au Cheval elevates traditional diner fare. Guests can indulge in dishes ranging from chopped chicken liver and roasted bone marrow, to traditional sandwiches, egg-focused entrees, and griddled cheeseburgers. The bar program showcases strong, classic cocktails including the Negroni, Vieux Bonal, and Hemingway Punch. A robust draught beer list offers a wide range of neighborhood, domestic, and international selections. The dimly lit restaurant, pulsating with an eclectic and resonant soundtrack, features leather booths, reclaimed wood paneling and a zinc bar that wraps around the open kitchen.

If my high school French still serves me well, Au Cheval means “by horse” …. a particular species of mammal that very rarely graces Cortlandt Alley, these days. While I am wary of Cortlandt Alley becoming further gentrified, it’s a bit late to lament the damage of that particular tsunami in 2019. I do, at least, appreciate Au Cheval’s relative discretion. Yeah, they’ve brought a bit of polish to the pathway, but we’ll see where it goes. I’d be curious to hear what constitutes their “eclectic and resonant soundtrack.” I want to believe they’d play geographically-appropriate stuff like DNA, The Lounge Lizards, Teenage Jesus, The Cramps and the like, but I wouldn’t hold my breath.

Still, I might try to check it out. Watch this space.

Here's a bit of DNA playing just down the way from Au Cheval's front door. Today, this space is someone's doubtlessly well-appointed, private and expensive apartment.

 

Goodbye to the Sidewalk Bar

And the carnage continues.

Courtesy of EV Grieve’s ever-excellent blog, I read with some weary melancholy that the Sidewalk Bar on Avenue A and 6th Street is closing -- or, at least, “changing hands” with a new owner who’ll doubtlessly disembowel it -- both figuratively and literally. I was somewhat sad to read this. I say “somewhat” as I cannot say I was anything of a regular. I certainly liked that it was there, but it wasn’t as much of a fixture for me as some other spots.

While it’s sad, I also cannot say it’s especially surprising. Once the vast and pointedly character-free condo, 100 Avenue A went up (the one with the Blink Fitness in its ground floor), the signs did not bode well. I’m very glad Jesse Malin’s main foothold, Niagara, is still holding firm, but the number definitely seemed to be up for Sidewalk.

There is assuredly nothing duller to read than unspooled anecdotal yarns that ultimately don’t amount to more than “gosh, I was drunk,” but here are two such recollections of evenings spent questionably at the Sidewalk. Continue at your own peril, and my own embarrassment. 

When it comes to opinions about music and the reasonable expressions thereof, it has been noted that I have something of a problem. On one dark evening about twenty-five years --- blimey! –- back, I was sequestered in the more northerly chamber of the Sidewalk with my frequent compatriot in alcohol imbibement, Rob D., who was illegally subletting a space a block over on Avenue B (in the same building as Manitoba’s). I’m not entirely sure why we ended up at Sidewalk and not, say, any number of other suitable locales, but there we were. In any case, in walked a pair of pointedly uptight looking gents who took seats to our right. I’d noticed upon their entry that one of them was sporting a Slayer badge on their lapel, which -– for some ridiculous reason -– immediately gave me license to start up a conversation, or so I very wrongly presumed. When my doubtlessly awkward attempts to engage in a chat –- much to Rob’s arched-eyebrowed chagrin -– failed to instigate the intended result, I believe I blithely tossed over the comment “fuck do you know about Slayer?!”

Suffice to say, that ill-considered remark prompted the badge-wearer to stand up with a pronounced sense of purpose, sending his bar stool toppling to the floor with great, dramatic aplomb. There would be no witty rejoinder but, instead, a swift delivery of knuckles to my arguably smart mouth. That was his intention, anyway, before both his drinking pal and mine intervened with the requisite, “fellas, fellas….c’mon, settle down”-styled arbitration. Rob and I wisely adjourned to another neighborhood institution and I was understandably scolded for my unthinking solicitations.

My other great memory of an evening at the Sidewalk dates back to specifically February 28, 1995. I know the exact date because that was the evening that punky Britpopsters Elastica (left) were slated to play nearby at the comparatively tiny Mercury Lounge on East Houston Street. Since first hearing the “Stutter” single a year earlier, my friend Eric F. and I were both wholly onboard and quite excited to see them perform. We made a plan to meet up that evening and go check it out.

Again, for some inexplicable reason, we ended up back at Sidewalk. I feel obligated to point out, at this stage of the narrative, that at the time –- 1995 -– I was still rather ravenously single, and would not go on to meet the lovely lady who became my wife for another three years. This will become relevant to the story in due course.

In anticipation of a great night out seeing our favorite new band, Eric and I availed ourselves to the fare at Sidewalk, laying the foundation for a longer evening’s worth of drinking. In the course of same, I managed to fall head over heels in love with our waitress. These things happened, back then. When the time came for Eric and I to split and go catch our show, it was somehow deduced that it was my turn to pay. I paid with plastic, but decided to leave a cash tip, as that was the nicer thing to do. That’s fine, but what I did next was questionable.

Upon the bill I was leaving as a tip -– I cannot recall the amount -– I took the supplied pen and scrawled something to the effect of: “Sheila, I think you’re exquisite….” and punctuated it with my phone number. I know, I know….

With that, Eric and I hit the streets and headed south, whereupon a strenuously crucial flaw in our evening plan was stealthily revealed. Neither of us had procured tickets for this show in advance and  -- very unsurprisingly, in retrospect -- it was sold the fuck out.

Bummer.

After a few minutes of gawking incredulously at the horde outside the Mercury Lounge, Eric and I glumly repaired to bars of the East Village to curse our idiocy. Along the way, I continued to be justly chided for my half-baked romantic gesture back at Sidewalk.

A few hours later, Eric and I ended up back at my apartment. Being that he lived out on Long Island, Eric was going to crash on my couch. We were greeted by the blinking red light of my answering machine (remember those?). I had one message:…

:::BEEP:::

“Hi, Alex? This is Shelia calling from the Sidewalk Bar on Avenue A….”

Eric excitedly hit stop on the tape. “HOLY SHIT, ALEX!” he gasped. “I thought you were a first-class douchebag for leaving your name and number with her, but not only did she call, …. she’s calling you THE VERY SAME NIGHT!!!”

Eric hit play again…

“…Yeah, I’m calling because you left your credit card here.”

Degradation, Lubrication & Gentrification at 315 Bowery

You’d think that a whopping 13 years after the club closed its doors for good, I’d have run out of things to say or share about CBGB. Be that as it may, pictures, videos and/or simple ruminations about infamous gigs, specific scenes and/or happenings at 315 Bowery still keep rolling down the proverbial pike. In much the same way I cannot stop posting about places like The Cedar Tavern and Bleecker Bob’s, content pertaining to the lore, legacy, demise and degradation of CBGB still comes to me.

Today was just such an occasion. I came across a video shot by one Lisa Barnstone of a gig by Lubricated Goat -– who I posted about here -– back in mid-2006. Beyond simply being another glimpse of the fabled interior (bathroom included) of CBGB –- not unlike the video Harley Flanagan made of the interior that I posted about back in 2016 –- this video was notable to me in that it features Jack Natz -- above --  formerly of Cop Shoot Cop, on bass detail.

Personally speaking, when this video was shot, I was about one third into my somewhat chaotic tenure as a managing editor of MTV News Online, and had just become a father for the second time. My status as a busy dad to two tiny people had sharply curtailed my ability to regularly attend gigs as I’d previously done on a regular basis, thus I was not at this show. In fact, I regret to say that I cannot honestly recall the last show at CBGB I went to, although it might have been a Kraut reunion show in 2002.

Today, of course, the strip of the Bowery is a very different scene. The occupant of 315 Bowery is still John Varvatos, who I somewhat venomously took to task on this post. My take on same has not changed, and I still think he sucks and everything about his shop is bullshit. The surrounding neighborhood continues to gentrify, of course. Apart from the encouraging opening of Codex Books across the street (specializing in cool, used and rare volumes), there is precious little in that cluster of streets to hold my attention … beyond nostalgia.

`Twas not always thus. Take another look back. Miss Barnstone’s video also captures a lot of the post-show action out on the street.

CBGBs...last call..Lubricated Goat inside tour of the place and it's surroundings from lisa barnstone on Vimeo.

Check out more footage of the same gig, courtesy of the inimitable SkeletonBoy…

Chelsea Mourning: Coda

While many were prepping for "the Big Game" (insert pungent, damp fart sound here) yesterday, the wife and I spent most of our Super Bowl Sunday attending to various errands of varying significance. Since our age-old oven range started literally belching smoke and flame last week, we had to bite the bullet and repair to the antiseptic confines of Home Depot on 23rd Street to begrudgingly procure a new one. Following that strenuously expensive undertaking, Peg headed east to take our 12-year-old to an arguably long-overdue haircut (Oliver's forelock was starting to look a bit Danziggian), while I was dispatched to the Apple Store in the Meatpacking District to replace an Apple TV remote rendered inoperable by my own zealous impatience. 

Along the way, I passed by the Chelsea Hotel (very recently invoked here), and appearances look unforgivably tragic. 

Farewell to The Half King

As I understand it, we officially lose The Half King tomorrow, vanishing from its place of almost two decades on West 23rd street, which is strange, `cos I feel like only yesterday, I read about its impending opening.

Arguably most famous for one of its founders, author Sebastian Junger, The Half King became a regular haunt of New York City’s robust legions of hardened journalists. I was unwittingly about halfway through my long tenure at the TIME Magazine news desk when the bar opened in 2000, so it indeed became a regular stop for many members of the team, and a particular favorite whenever a normally far-flung correspondent was in town. I have many fond memories of supping multiple pints in the company of those estimable colleagues there, and often feeling well out of my depth, but always welcomed. As I’ve mentioned many times, the TIME team was a tight, familial unit, and I continue to regard my friends and co-workers from those days with profound respect and admiration.

But in terms of The Half King, I have two specific memories of the place that rise to the top, and neither of them involve my career in journalism.

The first occasion was a reception thrown by the publishing company my wife was working for, at the time. One of her authors had just given a reading nearby at the Barnes & Noble over on Sixth Avenue that is now a Trader Joe’s, I believe. This was this young author’s debut, of a sort, reading from his first novel, which was semi-autobiographical, if I recall correctly. In any case, this young writer’s big Italian family turned out in force to proudly show their support and hear their guy do his thing. The drama began, however, when the author ended up outing himself by way of a passage in his book to the gathered attendees, much to the pronounced surprise of several members of his very large family. By the time the whole congregation had moved over to The Half King, what had ostensibly been conceived as a festive gathering had turned into a very different event indeed.

Initially, I’d just been along for the ride, so to speak, and was always happy to be included in any excursion to The Half King that would invariably involve a few pints. As it happens, I ended befriending the husband of one of my wife’s colleagues when it was somehow gleaned that we both harbored a fondness for early 80’s hardcore bands like the Circle Jerks, Kraut, Bad Brains etc.

This all culminated in a surreal scene wherein a large percentage of the room we’d all been herded into was occupied by a gaggle of excitable Italians wrapped up in the throes of very emotional discussions (all in Italian … with lots of raised voices and frenzied gesticulations), with my wife and her team trying to comfort the newly distressed author, while myself and this other dude sat in the corner pounding beers and talking animatedly about our favorite punk bands.

My other long-lasting memory of The Half King is more recent. It was the tail end of 2016, just after the election and tensions and apprehensions were, suffice to say, rather high, as you probably recall yourselves. Here in New York City, for the most part, the pervading mood was one of gloomy consternation and incredulousness. In any event, I’d been drafted to go pick up my daughter after some social event in Chelsea, and the wife suggested I arrange to meet up with a few of my fellow dads beforehand. Since it was in the same `hood, I suggested that the four of us meet up at The Half King and have a couple of pints before picking up our respective kids.

I remember walking in and meeting these guys – most of whom I knew pretty well, by that point, or so I thought – at the bar. A sporting event of one variety or another was on the television above the far end of the bar, and that commanded most of the attention. Talking sports with any degree of enthusiasm, let alone credibility, is not something I’m especially versed at, so I just drank my beer and only chimed in when I had something to say. As if on cue, the program cut away to a news break, and Donald J. Trump’s mug appeared on the screen, prompting a not-so-subtle hiss throughout the bar. I can’t remember what comment I made, but it was one that doubtlessly telegraphed my own misgivings for the results of the election. Suddenly, all three of my fellow dads looked at me quizzically. “Well, he’s gonna get this country back on track,” one remarked. I snorted and practically spat out my beer, assuming he was being facetious. He wasn’t. The other two were nodding in agreement. There I was, in the super-liberal capital city of a super blue state … surrounded by three unblinking Trumpublicans. Had I slipped through a portal into The Twilight Zone?

Now as much as I’m generally very happily game to burn a few bridges every now and again, the notion of starting heated political beefs with the fathers of my daughter’s best friends seemed ill-advised. I demurred from futher commentary, and we all went back to our beers, my big takeaway being that it is NEVER a good idea to assume everyone you’re with is on the same page politically.

Sadly, that bizarre instance was the last time I ever darkened the doors of The Half King. For a more authoritative and broader portrait of the place, check out this great tribute from The New York Times.

Pour one out. 

One More Chelsea Mourning

I’ve mentioned it before, but I’d love to say I was initially familiar with the signifiance of the Chelsea Hotel because of some of the more celebrated creatives, thesbians and bohemians who periodically resided within its hallowed walls, but much like probabaly most of my generation, I first came to know about the Chelsea because of one individual, and one individual only -- that being Sid Vicious. The now-very-late Mr. V notwithstanding, however, the Chelsea Hotel’s associations run an impressive gamut from literary icons like Arthur C. Clarke, Dylan Thomas, Arthurs Miller and Allen Ginsburg to musical luminaries like Bob Dylan, Joni Mitchell, Patti Smith, Jim Miorrison, Edith Piaf, Janis Joplin to visual artists like Robert Crumb, Jasper Johns, Willem de Kooning, Henri Cartier-Bresson, Robert Mapplethorpe and countless others from virtually every artistic discipline. This list of its more celebrated guests is a veritable “who’s who,” full stop.

As detailed in a few older posts, I was fortunate enough to attend a few parties at the Chelsea Hotel back in the `90s, enabling me to travel beyond its lobby to meander through its storied halls. The last time I was able to do so was in 2010, as detailed here. It was on that occasion that I had the fleeting foresight to have my photo captured within. That’s it below, with me posing portentuously on the stairs, trying to look like a sinister, leather-clad punk, but simply looking like an inebriated, portly dad (guilty as charged, your honor).

Only a couple of years prior to that evening, the Chelsea’s beloved manager Stanley Bard had been abruptly deposed and many of its longtime tenants evicted. Turnovers in ownership started to take their toll. A year or two after my final visit, the Chelsea became entirely impenetrable – its fabled lobby closed and its edifice encased in scaffolding. A new management company promised/threatened that the Chelsea was to be re-imagined as a newly luxurious, bespoke hotel. Whatever remained of the hotel’s old interiors were stripped and gutted as it entered a new chrysalis phase. Patti Smith, some might remember, played an invitation-only event, which managed to rub a lot of people the wrong way, somewhat understandaby.

I actually did return to the building in more recent years. In 2014, there was a Blondie exhibition in a space just to the west of the hotel’s entrance, followed by Dee Dee Ramone exhibit (himself another former Chelsea tenant) a year or so later. But the hotel’s new iteration was still a work in progress, at the time.

But fruition never came. Walk by the Chelsea Hotel today in 2019, and it is still cloaked in a seemingly perpetual state of painful transition. This week, Gothamist posted a lengthy update on the hotel’s long saga and current, sorry state, complete with a frankly heartbreaking slideshow. Click here to see that.

What happens next is anyone’s guess, but I’m very glad I got to spend those few evenings there when I did. It’s a damn tragedy that they couldn’t just let it be.