Flaming Pablum

Back Into Exile: Exhuming The Siberia Bar

Watch any documentary about a since-closed music venue, nightclub or bar, and you’re bound to hear some of the same stupid shit. Whether conscious of it or not, at least one of the participants will make one ridiculously clichéd remark or another about how the establishment in question was this unique confluence of poetically unlikely factors that could not, should not and never will exist again. Invariably, there will also be florid testimonials about the fabled proprietor of the place which portray that individual like some sort of star-crossed visionary from another dimension. While such declarations might even have varying degrees of truth to them, these soundbites have become so deeply and dependably rote as storytelling devices that these movies all practically blend together.

Given my blog’s brazen predilections for New York City nostalgia, I am, of course, no stranger to these sorts of films. “Life After Dark: The Story of Siberia Bar,” a 2008 documentary directed by one Jack Bryan, is no exception to the rules lamented above. That all said, you should still check it out.

I’ve written about both Manhattan iterations of the Siberia Bar here a few times, notably here and here. I honestly cannot remember who first told me about the place, but being that I worked at TIME Magazine, just down the block from the subway stop that played host to the first iteration of the bar, once I learned about it, I had to go check it out. This would have been around 1997, I’m guessing, and I swiftly became one of a cloying legion of irritating, drunk-journalist types prone to hanging out within its endearingly decrepit confines. I’m the inebriated jackass in the center of the photo above, taken at Siberia around `98, given the then-recently-procured Damned t-shirt I’m sporting (they’d played a Coney Island High — also gone, but no documentary yet — a few days prior). If you were a self-styled, world-weary, laboriously smug scribe of one stripe or another, you were bound to be found drinking irresponsibly there sooner or later.

Around 2000, the Siberia Bar decamped from its celebrated closet-sized perch in the midtown subway system and moved into Hell’s Kitchen. While the new location lacked its predecessor's seedy charm and intriguing mystique, the much roomier second version of the Siberia Bar retained the spirit of the old place … complete with those infamous stipulations about swearing and gratuitous hittin' on women.

Around the same time, however, I’d gotten married. As such, my nights darkening the already-very-dark doors of Siberia were somewhat sharply curtailed. I’d go every now and again, but hardly with any frequency. And then, sadly, in 2007, it closed for good.

I never knew of the documentary below’s existence until earlier this week. A reader named CB hipped me to it. Granted, I’m about 14 years late to the table, but for your viewing pleasure and edification, here it is….

Life After Dark: The Story of Siberia Bar from Jack Bryan on Vimeo.

The Walrus Goes to Hell's Kitchen

In honor of the anniversary of the death of John Lennon, a friend of mine posted a picture of the man they’d been given by a photographer named David Gahr. The photo in question was a great shot of the man standing on the median strip of an avenue in, presumably, New York City. Intrigued, I immediately did a bit of Googling to see if I could pinpoint the spot, and sure enough, it was over in Hell’s Kitchen. You can see images from Gah’rs shoot here. But amidst those images came pictures of Lennon standing in front of a landmark near to my heart.

Here’s John standing in front of The River Diner, formerly at the corner of West 37th and 11th Avenue. Why is this significant to me, you ask? Well, this is the diner, as I discussed here, that Martin Scorsese used as a primary location in -- WAIT FOR IT -- “After Hours” (and not, as widely misconceived, the Moondance Diner that formerly stood at the corner of Grand Street and Sixth Avenue in SoHo).

Pour one out for John, gone 41 years today. And, yes, I know the Walrus was Paul.

21 Questions from Curbed

I have a long history of waffling on New York Magazine, especially more recently, when their online presence -– and especially their pop-culture site, Vulture -- zig-zags wildly from great, in-depth interviews with various movers and shakers to vacuous, rinky-dink pop piffle written by sniveling youngsters who, in the grand scheme of things, really don’t know shit from shinola. Results may vary, but that’s how I feel about it.

In any case, I noticed that their Curbed section (which New York subsumed in 2020) just revived its "21 Questions" column, their most recent edition featuring architect Billie Tsien. I thought the questions themselves were compelling, so despite not being a “creative New Yorker” on par with Ms. Tsien, I thought I’d take a stab at them myself. Here’s how that goes….

Name: Alex

Age: 54

Neighborhood: Greenwich Village

Occupation: Director of Content and Editorial Services in the Corporate Communications department of a performing rights organization.

What’s hanging above your couch? A framed poster of Jamie Reid’s graphic design for “God Save the Queen” by the Sex Pistols. I bought it in the summer of 1986 off the ceiling of Second Coming Records on Sullivan Street (long, long gone). It hung on the walls of my college dorm rooms for my sophomore, junior and senior years, after which it was rolled up and put in a cardboard tube for three decades, only to be exhumed, framed and hung on our living room wall last year.

What’s the first job you had in New York? I had a gig as a runner/gopher (or as I described it on my resume, “apprentice”) for a graphic designer. Basically, it was my job to run painstakingly crafted mock-ups of ads and other promotional materials to various cosmetic agencies around midtown. I’d wait there while executives scrutinized the work (I had to bite my tongue frequently from saying “DO YOU KNOW HOW FUCKING HARD SHE WORKED ON THIS?”) and then run back to the graphic designer’s studio apartment on the Upper East Side.

What color are you always drawn to? Purple.

What work of art or artifact are you most surprised you own? We own a little figure called “The Little Wanderer” by artist Yoshimoto Nara, thus called as she has little wheels and rolls around as if sleepwalking. We bought her as a lark when our little Charlotte was born in 2004 from a long-since-vanished baby shop on Broadway called Little Wang. She has lived in our kids’ room ever since. Upon hearing that Nara’s work has become only more celebrated in recent years, I did a little research. Today, “The Little Wanderer” can fetch up to $4,500 on eBay. Who knew??

Which New Yorker would you want to hang out with? So many of my favorite New Yorkers – Jim Carroll, Anthony Bourdain, Joey Ramone, Pete Hammill, Spalding Grey, etc. – are already dead. I think Laurie Anderson would be kind of interesting to have dinner with.

What’s the last thing you made with your hands? Well, I didn’t make the pumpkin itself, but I carved one last weekend, and was pretty pleased with the results.

Is there one thing you own multiple versions of? There are certain albums like It’s Alive by The Ramones, Funhouse by The Stooges, Spirit of Eden by Talk Talk, Nothing’s Shocking by Jane’s Addiction and several albums by Killing Joke and Cop Shoot Cop that I own on every available format. I also have all of the published editions of “Please Kill Me” by Legs McNeil & Gillian McCain.

What New York City museum do you always go back to? This is a toughie, as I genuinely love so many of them. While I frequently cite The Museum of the City of New York as my favorite, I think the one I routinely return to the most is probably the Metropolitan Museum of Art, as it remains just a magnificent place to stroll around and get lost in.

What do you always have next to your computer? At this stage, probably an external disc drive.

Where is the best view of the city? The one from my office.

What building or object do you want to redesign every time you see it? I genuinely loathe all the so-called “supertalls” (fuck you, yimby!), but there’s something particularly noxious about 432 Park Avenue. It was probably the first one of them to go up in Manhattan, and it’s just an artless rod that blocks out the sun and ruins the symetry of the cityscape. I have nothing but ill will for everyone who owns an apartment therein. Knock it the fuck down.

What’s one thing you would change about your field? I would make the calculation and quantification of royalties for artists from streaming platforms significantly fairer.

If you could live anywhere in New York City, where would it be? I genuinely love the neighborhood we live in, so I wouldn’t change that, but a couple more bedrooms would make life significantly simpler.

What would you hoard if it stopped being produced? I don’t know if the paltry amount I’ve already collected could be construed as “hoarding,” but I have three or four 160gb iPod Classics (one still pristinely wrapped) and would not be averse to picking up another, should the right opportunity present itself.

What do you do to get out of a creative rut? Go outside and walk around.

Where was your first NYC apartment and how much was the rent? Well, when I was born, we lived on East 89th Street between Lexington and Park Avenue. I have zero clue how much the rent was.

Where in the city do you go to be alone? If I “vant to be alone” Greta-Garbo-style, I go out for long walks. There are myriad places wherein to find solace and solitude in this teeming metropolis. You just have to know where the quiet streets are.

Worst piece of career advice you’ve ever gotten? “Let them call you,” or words to that effect. Anyone that tells you that playing hard-to-get is the way to land the job you want is fucking wrong. Be assertive. Let them KNOW your level of interest.

What have you given away to someone that you wish you could get back? When I got married and my wife “officially” moved into my apartment on East 12th Street, I put a lot of my stupid shit in storage and farmed off a few items to friends. My friend Rob now has my lovingly framed poster for the Ramones’ Road to Ruin album (featuring art by the great John Holmstrom), as well as a super-rare Cop Shoot Cop/Cows gig at CBGB (albeit NOT my Holy Grail poster). I honestly don’t have the wall space for either of them, anymore, but I do miss that Ramones poster something awful.

What’s your favorite NYC restaurant and regular order? I don’t honestly know that I could single out one, solitary restaurant as my very favorite. It depends on my mood, the company, the day of the week, etc. But for the sake of this post, I’ll pick Elephant & Castle on Greenwich Ave just steps to the south of West 11th Street, and my favorite dish there – although it was worryingly absent the last time I was there was the brunch favorite of poached eggs with pureed spinach on potato pancakes. Sheer joy on a plate.

What do you want your obit headline to be? “He’d have agreed with you, if you were right.”

Ecstatic Pizza! Thurston Moore’s Favorite Slice

A bunch of years back, I posted a windy little entry that sought to debunk the arguable cache of being a native New Yorker. I mean, yeah, being originally from here certainly comes with myriad inherent advantages, but being born here is something that only happens out of a combination of wildly uncontrollable circumstances and pure luck. Having been born in New York City doesn’t immediately imbue an individual with some supernatural arsenal of weapons-grade street smarts, urbane sophistication and/or some greater power of cognition. It’s nurture that does that, not nature. To buffer my point, I appended a laundry list of names I considered consummate New Yorkers – individuals that, to my mind, personified all the attributes of the city – but that weren’t actually born here. Thurston Moore was one of those names.

Wrongly cited by me as having been born in Connecticut, Thurston Moore was actually born in Coral Gables, Florida, which is very approximately 1,284 miles from East 14th Street, give or take. Moore moved to the East Village in Manhattan in 1979, romanced here by the music of Patti Smith. Following stints in proto-hardcore band Even Worse, Glenn Branca’s guitar orchestra and a band called The Coachmen, Moore formed Sonic Youth with Kim Gordon (herself from Rochester) around 1981. The rest, as they say, is history. In relatively short order, Sonic Youth became a kind of a quintessential New York band in the same vein as their forebears in the Velvet Underground, The New York Dolls, The Ramones, etc. A concussive amalgam of art, noise and attitude, the very name Sonic Youth became synonymous with downtown New York City.

All this laborious preamble is all to underscore the point that, in my estimation, Thurston Moore is very much still a bona fide New Yorker, even if he currently lives in London.

Now if it’s one thing New Yorkers – native or otherwise – have strong opinions about, it’s pizza.

While originally an Italian dish dating back to the 10th century, pizza as we know it is essentially a New York City thing. Sure, different cities have tried to put their spin on it, but it’s still inarguably New York’s great culinary contribution. That’s not just my opinion, it’s just a fucking fact.

Personally speaking, I think Manhattan, with regard to pizza, is in steep decline. Once upon a time … and not even that long ago … pizza parlors were as plentiful as Manhattan’s ….er… bookstores and record shops. I used to be able to rattle off seven or eight worthy locales wherein to procure a respectable-to-exemplary slice in practically each and every neighborhood I frequented. Back then, it seems a decent pizzeria could be found within only a couple of blocks’ walk. Here in 2021, I’m afraid that’s just not the case.

Sure, there are plenty of higher-end pizza places around. I have nothing against those, but I’m speaking more about the street-food variety. Slightly more revered than the hot dog (and invariably healthier), a good slice has become perilously hard to put one’s hand to, although mediocrity is always in great supply. Then, of course, there is the somewhat new trend of “$1 pizza” which is a deplorable, function-over-form disservice to the city’s legacy and traditions.

For my money, while former favorites like St. Marks Pizza on St. Marks Place, The Pizza Box on Bleecker Street and several joints peppered around the Upper East Side of my now-distant youth are all long, long gone, you can still get yourself a slice to be proud of at Joe’s on Carmine just off Bleecker Street, although they’ve assuredly been discovered, by this point. I’m also quite fond of Village Pizza on 8th Avenue, just north of West 13th Street. My wife is a longtime supporter of Pizza Mercato on Waverly Place, but I’m afraid I have to part with her on that front. In terms of our immediate neighborhood, I used to regularly haunt the Stromboli’s on University Place between 12th and 13th Streets. That whole block was razed several years back (taking Bowlmor Lanes with it), and that pizzeria is no more. I used to laboriously point out how I once ducked in out the rain there one night and found myself sharing a slice in silence with notoriously thorny Television front-man and New York Punk Rock pioneer, Tom Verlaine. I wonder where he gets his slices these days.

Every New Yorker has their go-to, even in these comparatively dark times. It’s for this reason that I was somewhat shocked to spy on Thurston Moore’s Instagram page the below declaration. Of the establishment Little Italy Pizza III on my own University Place, he writes….

My go to cheese slice in nyc these days. Not in Little Italy but on University between 13/14th west side of street. The crust w just the right crunch appeal and slice thickness neither too thin too fat, the sauce etc on the money, downed w a fountain iced coke - boom yr off.

Now, again, far be it from me to doubt the tastes of Thurston Goddamn Moore of Sonic Fucking Youth, but the eyebrow-raise this post prompted has left creases in my forehead. Also, not for nothing, it's not "a cheese slice," it's just a slice. The cheese goes without saying. Without cheese, it ceases being proper pizza, goddammit.

But as far as this place is concerned, as Thurston even concedes, so-called Little Italy III is fucking Hell and gone from actual Little Italy. For this ruse alone, I think I’ve always shunned the place. Secondly, it’s like a bus station with a pizza oven. It looks like a Five Guys’ men’s room. I’m not saying a proper pizzeria has to be aesthetically pleasing (Village Pizza, by way of comparison, is frill-free in absolutely every conceivable way), but there’s a garishly over-lit, antiseptic quality to the interior of Little Italy III that has always driven me away from it. It looks just as uninviting as the 99 Cent Pizza closet on Sixth Avenue adjacent to the West 4th Street-Washington Square subway station – which always looks like a fine place to get stabbed. Never once have I considered grabbing a slice at this place. Nothing about it says “come sample our fare.” Nothing at all. To me it looks like a chapel of heartburn and regret.

But hey … fuck do I know? I didn’t write Daydream Nation.

What's your favorite pizzeria? 

The End of Summer Survey 2021

Ahoy from the unstable eye of Tropical Storm Henri (formerly Hurricane Henri) out here in Quogue, on the south shore of what Public Enemy used to call “Strong Island.” For the past several days, we’ve been bracing for the arrival of this weather event, but now that it’s finally here, it’s sort of mercifully anticlimactic, … or thus far, I should say. We haven’t gotten any heavy winds, yet, but the torrential downpours have been pretty steady since very early this morning. We’ll see what the rest of the day brings.

In the interim, being that my family is basically packing up and heading back to the city for good, later this week, I’m inclined to suggest that Summer 2021 … a heady cocktail of hope, expectation, cynicism and disappointment, is basically over. As such, I’m exhuming the annual summer survey, … like it matters. Here we go...

Defining Moment of Summer 2021:

While there were plenty of news events from the past couple of months that could act as pivotal moments to sum up the season — from our nationwide failure to contain the advance of the Delta Variant to the inevitably botched withdrawal from Afghanistan — I’m going to scale this question down to a personal level. For us, we spent much of June, July and August traipsing around the Eastern Seaboard, from Upstate New York to Vermont to Massachusetts to Connecticut to Maine and back again, depositing and fetching one child from summer camp and touring prospective college campuses with the other. On one particular evening in the sleepy town of Westport, New York on the shores of Lake Champlain, I both broke a tooth eating shrimp cocktail (no small feat) and, on the creeky front porch of a dilapidated inn we were inexplicably staying at, heard a roughshod husband-&-wife acoustic folk duo launch unexpectedly into a melody-free rendition of “Naked Girl Falling Down the Stairs” by The Cramps. I’d say that bizarre evening pretty much encapsulated Summer 2021, for me.

Best Purchase of Summer 2021:

I actually don’t recall buying that much of anything, this past summer, but I did snag a truly crucial beer-can-chicken stand from True Value in Westhampton that did a magisterial job of keeping our poultry dutifully erect during the indirect grilling portion of the preparation. I was quite pleased with that.

Best Book You Read of Summer 2021:

I really lucked out, this year, as with only one minor exception (a memoir I neglected to finish by a certain noted photographer that I’m sure I’ll go back to), everything I read was pretty compelling. I started off with “Fallopian Rhapsody: The Story of the Lunachicks” by Jeanne Fury, then dove right into the stately “Substance: Inside New Order” by the mighty Peter Hook and then into the suitably grisly “Chaos: Charles Manson, The CIA and the Secret History of the Sixties” by Tom O’Neill. All were entirely excellent. Right now, I’m almost a third into “The History of Bones,” the long-awaited memoir by musician/actor/painter/perennial cool cat (and sometimes Flaming Pablum reader and commenter) John Lurie, and it’s totally engaging, thus far.

Best Movie You Saw During Summer 2021:

I have yet to re-enter any movie theaters, but I did see a clutch of new films — mostly documentaries — over the past couple of months. I, of course, watched “Roadrunner,” the doc about Anthony Bourdain. While quite compelling, it was inevitably crazy depressing. I realize there was a big stink about some A.I.-enhancement of Bourdain’s voice, but I was more put off by the editorial slant in the final third of the film regarding the man’s fraught relationship with Asia Argento. I would recommend it, but that aspect kind of put me off, a bit, as it not-so-subtly sought to assign a convenient villain to story far too complex for such a tidy conclusion, … in my opinion.

I neglected to watch “Val,” the documentary about notedly eccentric actor Val Kilmer as, upon watching the trailer, it, too, seemed irretrievably depressing. The Music Box doc on “Woodstock `99” was also both wildly engaging and wholly dispiriting, so much so that I had to cleanse myself with “We Are Twisted Fucking Sister,” a great film from 2014 about … well, take a guess … that was way better than it had any right to be.

But probably the best thing I saw all summer was earlier this week, when my friend Rob C and I were invited to a private screening of “The War is Never Over,” Beth B’s long-in-the-works documentary about the inimitable Lydia Lunch. Shown in the incongruously plush penthouse apartment of a cinema-benefactor I shall not name, it was a somewhat striking dichotomy to watch Lydia’s unflinchingly visceral story play out in front of this select audience of cloyingly young invitees mostly comprised of aspiring-film types who had zero idea who Lydia Lunch is. The film, of course, pulls few punches, so it was fun catching a few attendees visibly recoiling at certain points. If you’re a fan of the great lady, you need to see it. Lydia herself actually showed up at the end for a Q&A. I got to ask a few questions of her, which was fun. In typical form, she minced no words and got worked up a few times in her own signature manner. I’d have loved to get a picture with her, but I didn’t want to hassle her like a fawning fanboy. My friend Rob, meanwhile, came face to face with her at one point in the kitchen after the film, and somehow managed to get both a hug and a polite kiss from her. Cheeky bastard.

Best Gift You Received of Summer 2021:

Somewhere in Maine, my wife found me a pair of socks with depictions of ducks and the legend “FUCK OFF” all over them. Priceless.

Biggest Loss of Summer 2021:

I was genuinely pretty sad to learn of the passing of ZZ Top bassist Dusty Hill. I don’t care if you’re a punk or a metalhead or a hip-hopper or a rudeboy or a Deadhead or whatever — if you can’t appreciate the singular majesty of ZZ Top, you’re a fucking dolt.

Song That Best Sums Up Summer 2021:

As mentioned back on this post, I listened to a whole slew of different stuff over the course of the summer. I don’t know that I can cite a single tune, however, that ties it all up for me. For whatever reason, here at the cottage, my wife had a habit of playing a whole bunch of Neil Young whenever we were routinely over-imbibing on the back deck. She likes the mellower stuff like “Harvest Moon” and “After the Gold Rush,” whereas I much prefer the angrier fare like “Southern Man” and “Hey Hey, My My (Into the Black),” the latter usually finding her scrambling for the remote.

Happiest Memory of Summer 2021:

While this summer certainly had its share of discouraging moments, I will say that it was, by and large, a happy season. We quite enjoyed our car trips around the wilds of New England. I had a great catch-up with my old friend Rob D. (not the same Rob as mentioned above) at a great outdoor bar in New London, CT on our way to collect Oliver from camp, which found me laughing out loud more than I’ve done in a long damn time.

Saddest Memory of Summer 2021:

Ah, why dwell on it?

Scariest Memory of Summer 2021:

I don’t know that I felt any genuine fear over this summer, but the encroaching dread brought on by embarrassingly large swathes of the American populace continuing to stupidly ignore the recommendations of the medical community gives me concern for what the next few months might bring.

Word That Best Describes Summer 2021:

Almost.

Back ... Reluctantly ... To The Korova Milk Bar

Of all the posts I’ve put up here over the last 16 years, pretty much the last one I’d have ever expected to strike a chord with anyone was one I did in 2015 based on the discovery of a fridge magnet advertising a blink-&-you’d-have-missed-it East Village bar from the 2000’s called the Korova Milk Bar.

A strenuously fatigued concept even before its shoddy execution, Avenue A’s deservedly short-lived Korova Milk Bar, as lamented in that post, was an acutely contrived homage to Kubrick’s “A Clockwork Orange,” taking depressingly obvious and hackneyed cues from the ultraviolent, dystopian cult classic in a dim attempt to appeal to self-styled punky patrons who may fancied themselves iconoclastic cinephiles. It was a fairly shallow endeavor.

Regardless of my dismissive portrayal of the Korova Milk Bar, an outlet called Mashed just linked to it for a report on — oddly — “Stranger Things” actor David Harbour’s episode, below, of First We Feast’s “Hot Ones” with Sean Evans (a web series I must confess to loving), wherein Harbour inexplicably cites the bar in question as one he misses from his youth. There's no accounting for taste, I guess. 

Should you care, read it here.

Fifteen years after it closed, the space that was the Korova Milk Bar is now an animal hospital. 

Thanks for EV Grieve for calling all to my attention.

Back to The Ear Inn

It’s been yet another crazy-busy period at work. I have multiple complicated projects on the burner, all requiring heaping amounts of deft navigation, thoughtful strategy and efficient execution. Similarly, I'm vainly trying to plot out my family's summer -- from my youngest's second COVID shot through transporting same back to camp in Vermont again and wrangling fleeting vacation accommodations, to say nothing of my wife and I's looming 20th anniversary. While I do genuinely consider the two posts I put up this week to be interesting and worth your time, I’m always looking to post more substantial things than placeholder entries built around esoteric YouTube videos. But, y’know, we all have our things to contend with.

In any case, I wanted to write about this sooner, but I was let off my leash briefly last weekend to meet an old friend of mine I’d not seen in two or three years. Now that restrictions are easing, it seemed like a fine time to meet up, so we settled on a place I’ve been dying to return to since the pandemic first turned our collective existence into a c-grade disaster movie, the Ear Inn over on the western end of Spring Street in SoHo. 

A longtime favorite bar of mine, I’ve had more memorable evenings within the Ear’s storied interiors than I can count. It’s arguably the oldest bar in Manhattan, although McSorley’s and Pete’s Tavern make comparable claims. Regardless, I’ll take the Ear over both those joints every damn time.

Despite just being informed by my primary care physician —who I’d also not seen since before the pandemic —that I’d gained seven pounds since my last visit, I ordered a cheeseburger and had a few pints with my friend in that great bar. While it, too, boasts the trappings of responsible social distancing, I am very happy to report that its splendor remains undiminished.

What places are YOU ready to return to?

'Night at Downtown Beirut'

It’s by no means a stretch for any blog that concentrates on downtown NYC, but I’m sure I’ve mentioned Downtown Beirut here a few times, the long-lost watering hole on First Avenue. Don’t bother looking for it today, of course. I honestly can’t remember what’s there in 2021, let alone if said venture is even operational, at this stage. But, in any case, as Downtown Beirut, is was practically a holy site for folks of a certain disposition.

I cannot remember the first time I set foot in the bar, but it was invariably at some point around 1988 or 1989, relatively late into its storied tenure. True to its oft-repeated legend, it did indeed have a robustly adventurous jukebox of the old-school variety, and I remember being fairly gobsmacked to find bands like the Buzzcocks and Modern Lovers on it. It was a favorite spot for my fellow paylessly disgruntled SPIN interns and I to frequent, along with being the first place I ever witnessed my friend Dusty’s star-crossed garage-noise band, The Bastards of Execution, perform.

To my recollection, Dowtown Beirut feels like the place wherein the 80s transformed into the 90s, the decade that would eventually turn the bar's lights out. By 1994 or so, it was but a memory. To this day, invoke its name and watch folks who pair their greying temples with increasingly ill-fitting Lunachicks t-shirts get moist around the eyes. Many of today’s bars try to emulate its singular brand of grimy, punky cool, but like the CBGB, Mars Bar and the Lismar Lounge, it is now the stuff of legend.

It’s precisely for this reason that videos like the one below are so special. While you cannot darken the doors of Downtown Beirut anymore, here’s as close a taste to the experience you’re as likely to find, courtesy of one Mike Enright. It has the loose narrative of a student film, but the visual specifics are fantastic. I especially love the sticker on the jukebox that reads "New Missing Foundation - I DARE YOU!"

Site back and enjoy … “Night At Downtown Beirut.” By the way, the lovely photo at the top of this post was taken by one David Vega. 

Night At Downtown Beirut from Mike Enright on Vimeo.

Sad But True

2019:

2020:



2021:

 

Peels Be With You

Quite by accident, I stumbled upon the clip below and was instantly taken back a decade.

The “Peeler Man” was this compelling little character that used to hold court on the northwesterly area of Union Square. This distinguished salesman from the mother country (actual name: Joe Ades) used to sit and regale passers-by with myriad benefits of his revolutionary culinary tool, demonstrating its capabilties on any number of carrots and potatoes. My wife and I used to worry about him. An elderly gentleman like himself should surely not be out on the pavement (literally) plying his wares this way. To the contrary, though, he clearly got a great deal of joy out of it, and probably made a few bucks along the way. I seem to remember my then-future (and now ex) job, The TODAY Show doing a profile about him before he passed, and he was an unrepentantaly happy soul.

As far as his peelers go, we bought one – and we still use it this many years later.

Sadly, Mr. Ades passed away in 2009. But here he was in action…