A long-brewing project finally came to fruition over at the job this past weekend, that being the painstakingly compiled, entirely arguable list of the Greatest Metal Bands of All Time. A source of spirited debate and -- let's face it -- heated argument over the course of several weeks, the Greatest Metal Bands discussion set our office on fire for a little while. I lobbed my two cents into the fray, despite largely being perceived as "the new guy" (anyone who knows me well can tell you I have a very hard time keeping my nose out of music discussions -- I've been known to unsolicitedly opine to fellow patrons at record shops when I see them lining up to purchase what I perceive to be an ill-advised choice -- it's a habit that has gotten me in trouble not just a few times). In any event, while I didn't make the final cut on the "Great Metal Debate" panel (I was literally "an alternate," which is tantamount to saying I "carried a spear" in a Shakespearian production), I did manage to submit my votes for the grand tally. In any event, a whole lot of work and love went into this project (hats off to my comrades Jem and Rahman, who both seemed to sweat off whole years of their respective lives toiling on this thing), so please do check it out. Also be sure to watch the Great Metal Debate on MTVOverdrive, tho' you'll need to do it on a PC (though that'll be changin' soon!).
But because this is my weblog, I thought I might as well cite the acts that I think make the cut. Feel free to differ, but you'll just be wallowing in a sickly mudslick of WRONG!
1. Black Sabbath
Honestly speaking, any list of "ten greatest" metal bands that doesn't start with Black Sabbath isn't worth reading, as the compiler simply doesn't know what he or she is talking about. Black Sabbath is the definite article. Full stop. Yeah, you can say "What about Zeppelin?", but there is so much more to Led Zeppelin than their over-touted heavy aspect (calling Zep a metal band is like calling the ceiling of the Sistine Chapel "a picture"). Sabbath, meanwhile, possibly lacking the aspirations and -- arguably -- the chops of Zeppelin were so much PURER in their attack, perfecting the pitch black majesty of the STENTORIAN RIFF that causes flowers to burst into flames and pavement to crack. If you can listen to Tony Iommi's riffage on, say, "Supernaut" off Volume 4 or even the opening chords off "The Mob Rules" (the last album of the Ronnie James Dio era) and not feel the urge to air-guitar, you simply don't appreciate metal. Buy yourself a Judy Collins record and start collecting ornamental doilies, because heavy metal obviously isn't your bag.
2. Motörhead
Much like their brethren in AC/DC and the Ramones, Motörhead would emphatically much rather be referred to as simply a rock'n'roll band than a heavy metal band. One could further argue that Motörhead are almost a genre unto themselves, as though they've inspired countless bands (No Motörhead = no Metallica, no Slayer, no Venom, etc. etc.), it is virtually impossible to name another band who actively *sounds* like Motörhead. Between Lemmy's hoarse croak and his signature Rickenbacker bass (which has been known to *STRUM*), Motörhead sound like Motörhead and nothing else. Upon the era of the "classic" line-up in the late 70s (featuring Fast Eddie Clark and Philthy Animal Taylor), Motorhead were often mistaken (sonically speaking) for a Punk band, given the amphetamine-fueled velocity of their attack (not to mention Lemmy's brief stint as bass player in the Damned). Motörhead are *THE* bridge between metal and punk. If you don't own No Sleep `til Hammersmith (basically the first three albums played harder, faster and sloppier than the studio versions), you're life has been dimmed by a paucity of rock excellence.
3. AC/DC
Again, another band who'd bristle at being tagged simply a "metal" band. AC/DC are pure rock'nroll to the bone. Big tunes, big attitude and more riffs than can be soberly quantified. Despite the thick-headed rumor that their name was an acronym for "Against Christ the Devil Comes" (pure bullshit) and the song titles "Hells Bells" and "Highway to Hell," AC/DC eschewed the more ridiculous heavy metal cliches in simple favor of songs about getting loud, laid and loaded with one's wheels, whiskey and women. Again, the power of the riff and a healthy, hell-bent libido. Godlike.
4. Iron Maiden
Somewhat ironically (pardon the awful pun), Iron Maiden have never really been all that "heavy" (unlike their N.W.O.B.H.M. peers in Motörhead), but have always been quite melodic (anchored around the multi-guitar attack), especially upon the arrival of second lead singer, Bruce Dickinson (original thuggish frontman, Paul Di'anno strove to make Iron Maiden the metal-punk fusion that Motorhead became). Without any radio support, exceptionally little video airplay and virtually no regard paid to image (the band's photograph never appeared on the front cover of their studio albums, their place taken by iconic undead mascot, Eddie), Iron Maiden became a huge phenom without ever truly compromising their aesthetic (and never really had a crossover pop hit like their peers in Judas Priest) becoming virtually synonymous with the term "heavy metal". Guilty of every imaginable genre cliche (the wearing of spandex, epic-length songs about swords and sorcery, devil worship, lengthy guitar and drum solos, massive stage-sets rife with pyro and macabre imagery), Iron Maiden *ARE* heavy metal, and aren't afraid to shout it from the rooftops. Respect is due.
5. Kiss
Again, though never especially "heavy" (though their first three albums and seminal live double, Alive, still pack a wallop), Kiss are incalculably influential on all things metal -- from Biohazard through Britny Foxx, virtually every metal band owes something to Kiss, if not sonically than certainly sartorially/tonsorially/stylistically. Taking Alice Cooper's comparatively kitschy aesthetic of theatrical spectacle to a sensory-engulfing extreme, Kiss' preoccupation with other-wordly stage presence and more bang for the buck set a template that is still followed today. They also wrote some damn fine tunes along the way that they don't get nearly enough credit for.
6. Van Halen
Like their antipodean pals in AC/DC, Van Halen leave the dungeons'n'dragons aspect of metal to lesser bands and put the emphasis on libidinous uber-hedonism and seemingly invincible musical chops. With original frontman, David Lee Roth in the fold (arguably the PREEMINENT rock front man, once upon a time), Van Halen were massively influential, not least for Edward's dizzying guitar techniques. Kudos is rarely extended to bassist Michael Anthony, whose high-piped harmonies are really the voice of Van Halen. Everything up through Diver Down is absolutely unstoppable, and even 1984 had its glorious moments. Without Dave, they don't matter.
7. Metallica
Inarguably the heavyweights of the big 80's four (rounded out by Slayer, Anthrax and Megadeth) who took their cues from hardcore punk and the rawest elements of the N.W.O.B.H.M., Metallica were a refreshing jolt of unbridled aggression upon their debut. They'd rank higher on this list if not for their diminishing returns in the quality department following what has become known as the Black Album. But for the brilliance of Ride the Lightning and Master of Puppets, they will forever be metal royalty.
8. Venom
Taking Black Sabbath's flirtation with the dark side to a whole new infernal depth, Newcastle's VENOM inadvertently became the flashpoint for the church-worrying Scandiweigan black metal phenomenon, despite being largely tongue-in-cheek about it themselves. Despite embodying every cartoony metal stereotype, Venom's music was a thrilling, jarring, reckless juggernaut of sound.
9. Slayer
Like Venom, only definitively American and far less cheeky. Unrelenting. Uncompromising. Ever bleak. Never kidding. Not for the weak.
10. Anthrax
Taking the locomotive chug of their speedy peers, spiking it with the wise-ass sensibility of New York comic geeks, Anthrax were less scary than Slayer and Metallica, but equally forceful in their attack. Too little is said about their first album with ex-Armored Saint vocalist, John Bush, Sound of White Noise, which is positively heroic in its oomphy heaviosity.
11. Motley Crue
Easily the finest of the "hair farmers," if only for Too Fast for Love and Shout at the Devil (though the title track of Dr.Feelgood is hugely unstoppable, and rips off the bassline of the middle-eight of Killing Joke's "Love Like Blood"). Indefensibly silly and juvenile, but great fun otherwise.
HONORABLE MENTION: Deep Purple, Judas Priest, PRONG, Helmet, Pantera, Accept, Fudge Tunnel, Napalm Death, Kyuss, the Wildhearts, Blue Oyster Cult
BAND THAT AREN'T TECHNICALLY "HEAVY METAL" BUT STILL WARRANT DISCUSSION/INCLUSION:
The Stooges, Ramones, the MC5, Queen, Hawkwind, Rush, Killing Joke, the Misfits, Bad Brains, King Crimson, the Plasmatics, the Dictators
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